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Kasino has had an interest in humor since his childhood, and he acknowledged that his inspiration came from the comedy group Trio Los Gilos, which included Bing Slamet, Mang Cepot, and Mang Udel https://downtownartistcollective.org/. In 1973, along with his fellow students at university, Nanu Moeljono, Kasino performed comedy sketches at “Perkampungan Universitas Indonesia”, a student camping event in Cibubur. Their humorous performances caught the attention of Temmy Lesanpura, a senior student at UI who was already a leader at Prambors FM. Lesanpura invited them to host a show together with Rudy Badil called Obrolan Malam Jumat (Omamat). The show aired every Thursday night from 20:30 to 21:15 WIB. Its theme involved discussing political and social conditions in the country in a relaxed style.
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When the film production of Warkop was taken over by Parkit Film and later by Soraya Intercine Films, Kasino then portrayed the character “Kasino”. In these films, he was depicted as an idealistic figure with brilliant ideas, but often these ideas backfired due to his know-it-all attitude and habit of underestimating others. Additionally, he occasionally appeared as a leader figure, as seen in films like Manusia 6.000.000 Dollar and Depan Bisa Belakang Bisa.
Kasino memiliki minat terhadap humor sejak masa kecilnya, dan ia mengakui bahwa inspirasinya berasal dari kelompok lawak Trio Los Gilos yang beranggotakan Bing Slamet, Mang Cepot, dan Mang Udel. Pada tahun 1973, bersama teman sejawatnya di kampus, Nanu Moeljono, Kasino tampil membawakan lawakan di “Perkampungan Universitas Indonesia”, sebuah acara perkemahan mahasiswa di Cibubur. Penampilan mereka yang lucu menarik perhatian Temmy Lesanpura, seorang mahasiswa tingkat akhir UI yang pada saat itu sudah menjadi kepala di stasiun radio Prambors. Temmy mengundang mereka untuk mengisi acara bersama Rudy Badil yang diberi nama Obrolan Malam Jumat (Omamat). Acara ini disiarkan setiap Kamis malam dari pukul 20.30 hingga 21.15 WIB. Tema acara tersebut membahas kondisi politik dan sosial di dalam negeri dengan gaya santai.
Kasino Hadiwibowo (15 September 1950 – 18 Desember 1997), lebih dikenal dengan mononim Kasino atau Kasino Warkop, adalah seorang aktor dan pelawak berkebangsaan Indonesia. Ia merupakan salah satu personel dari kelompok lawak Warkop. Lahir di Gombong, Kabupaten Kebumen, Kasino menunjukkan minat terhadap humor sejak masa sekolah. Kariernya sebagai pelawak mulai dirintis ketika masih kuliah di Universitas Indonesia. Bersama Nanu Moeljono dan Rudy Badil, Kasino menjadi pengisi acara Obrolan Malam Jumat yang disiarkan setiap pekan melalui saluran radio Prambors. Acara ini menjadi cikal bakal terbentuknya kelompok lawak Warkop.
Film
“Film theory” seeks to develop concise and systematic concepts that apply to the study of film as art. The concept of film as an art-form began in 1911 with Ricciotto Canudo’s manifest The Birth of the Sixth Art. The Moscow Film School, the oldest film school in the world, was founded in 1919, in order to teach about and research film theory. Formalist film theory, led by Rudolf Arnheim, Béla Balázs, and Siegfried Kracauer, emphasized how film differed from reality and thus could be considered a valid fine art. André Bazin reacted against this theory by arguing that film’s artistic essence lay in its ability to mechanically reproduce reality, not in its differences from reality, and this gave rise to realist theory. More recent analysis spurred by Jacques Lacan’s psychoanalysis and Ferdinand de Saussure’s semiotics among other things has given rise to psychoanalytic film theory, structuralist film theory, feminist film theory, and others. On the other hand, critics from the analytical philosophy tradition, influenced by Wittgenstein, try to clarify misconceptions used in theoretical studies and produce analysis of a film’s vocabulary and its link to a form of life.
As the television threat emerged in the 1940s and 1950s, the film industry needed to innovate to attract audiences. In terms of sound technology, this meant the development of surround sound and more sophisticated audio systems, such as Cinerama’s seven-channel system. However, these advances required a large number of personnel to operate the equipment and maintain the sound experience in theaters.
Before the advent of digital alternatives, the cost of professional film equipment and stock was also a hurdle to being able to produce, direct, or star in a traditional studio film. But the advent of consumer camcorders in 1985, and more importantly, the arrival of high-resolution digital video in the early 1990s, have lowered the technology barrier to film production significantly. Both production and post-production costs have been significantly lowered; in the 2000s, the hardware and software for post-production can be installed in a commodity-based personal computer. Technologies such as DVDs, FireWire connections and a wide variety of professional and consumer-grade video editing software make film-making relatively affordable.
“Film theory” seeks to develop concise and systematic concepts that apply to the study of film as art. The concept of film as an art-form began in 1911 with Ricciotto Canudo’s manifest The Birth of the Sixth Art. The Moscow Film School, the oldest film school in the world, was founded in 1919, in order to teach about and research film theory. Formalist film theory, led by Rudolf Arnheim, Béla Balázs, and Siegfried Kracauer, emphasized how film differed from reality and thus could be considered a valid fine art. André Bazin reacted against this theory by arguing that film’s artistic essence lay in its ability to mechanically reproduce reality, not in its differences from reality, and this gave rise to realist theory. More recent analysis spurred by Jacques Lacan’s psychoanalysis and Ferdinand de Saussure’s semiotics among other things has given rise to psychoanalytic film theory, structuralist film theory, feminist film theory, and others. On the other hand, critics from the analytical philosophy tradition, influenced by Wittgenstein, try to clarify misconceptions used in theoretical studies and produce analysis of a film’s vocabulary and its link to a form of life.
As the television threat emerged in the 1940s and 1950s, the film industry needed to innovate to attract audiences. In terms of sound technology, this meant the development of surround sound and more sophisticated audio systems, such as Cinerama’s seven-channel system. However, these advances required a large number of personnel to operate the equipment and maintain the sound experience in theaters.
Online kasino
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Many online casinos offer self-exclusion options, providing an additional layer of control for players who need to manage their gambling habits. Utilizing these tools can be a proactive step towards responsible gambling.
E-wallets like PayPal, Skrill, and Neteller are popular choices for online casino transactions due to their enhanced security and convenience. These digital wallets provide a buffer between the casino and the player’s bank account, offering an added layer of privacy and anonymity.
Die Mobile Casino-Erfahrung wird optimiert, indem sich die Plattformen automatisch an verschiedene Geräte anpassen. Die Spiele können in einer browserbasierten Variante oder über Smartphones und Tablets gespielt werden. Die mobilen Plattformen unterstützen eine Vielzahl von Geräten, einschließlich iPhones und iPads.
Many online casinos offer self-exclusion options, providing an additional layer of control for players who need to manage their gambling habits. Utilizing these tools can be a proactive step towards responsible gambling.
E-wallets like PayPal, Skrill, and Neteller are popular choices for online casino transactions due to their enhanced security and convenience. These digital wallets provide a buffer between the casino and the player’s bank account, offering an added layer of privacy and anonymity.