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All that Game 2 noise went away when Shohei Ohtani injured his left shoulder on a failed seventh-inning stolen-base attempt and lay on the ground in obvious agony. https://tonytccoleman.com/ The Dodger Stadium crowd quieted quickly, then got mighty tense when the Yankees nearly came back in the ninth. But while the injury to their iconic designated hitter hung heavy in the air, the Dodgers were able to feed off the Freddie Freeman frenzy from a night earlier with a 4-2 win Saturday night to take a commanding 2-0 edge in this best-of-seven Fall Classic.
That was the lead put in the clearly capable hands of Yamamoto, who had spurned the interested Yankees and one-upped their ace Gerrit Cole when he signed a 12-year, $325 million contract to join the Dodgers last winter. This was a night when Yamamoto showed the broad baseball world — including an ample audience in his native Japan — what all the fuss was about, confounding a dangerous lineup by allowing only the Soto swat and two walks and keeping the pressure off the oft-used L.A. bullpen by pitching into the seventh.
“‘You can beat the Dodgers with fastballs,’ Palmer had decided the day before,” Steve Jacobson wrote in Newsday. “He threw 115 pitches, more than 95 (percent) of them fastballs, and was ahead of hitters all game.”
When the first game of the world series
Boston easily knocked off defending AL champion Philadelphia, which actually showed improved pitching thanks to a (almost) full year from Rube Waddell and an impressive debut for 20-year-old Chief Bender. It was offense, however, for which the A’s withered, notching nearly 200 fewer runs than in 1902.
Ironically, it was the National League—the established entity of big league baseball—that more or less waved the white flag to the relatively infant American League, singularly run by Ban Johnson. Talent and attendance had both swayed in favor of the AL, and there was still ongoing pilferage of NL rosters. Jack Chesbro, Jesse Tannehill, Willie Keeler and Sam Crawford had already defected to the junior circuit since the end of the 1902 season, and AL owners were closing in on signing Christy Mathewson, Tommy Leach, Vic Willis and Sam Mertes, among others. To stop the bleeding, the NL decided to put the emergency brakes on the feud and meet with Johnson.
Japanese professional players also have a difficult time coming to the North American leagues. They become free agents only after nine years playing service in the Nippon Professional Baseball (Japan’s premier baseball league), although their Japanese teams may at any time “post” them for bids from MLB teams, which commonly happens at the player’s request.
Because the Dodgers had a better regular season record than the Yankees, Games 1, 2 and possibly 6 and 7 will be at Dodger Stadium, while Games 3 and 4 and a potential Game 5 will be at Yankee Stadium.
In an 18-year span from 1947 to 1964, except for 1948 and 1959, the World Series was played in New York City, featuring at least one of the three teams located in New York at the time. The Dodgers and Giants moved to California after the 1957 season, leaving the Yankees as the lone team in the city until the Mets were enfranchised in 1962. In 1947, 1949, 1951, 1952, 1953, 1955, and 1956, both teams in the World Series were from New York, with the Yankees playing against either the Dodgers or Giants.
Another world game
Later in the game’s development, Chahi added laser pistols, including the one that Lester carries for several effects. The idea was influenced by the Star Wars blasters, but added depth to the gameplay by giving the player more options. He also found that repeated laser fire by the enemies helped to enunciate the rhythm of the game. Chahi would later add in the plasma ball that increased the available strategy to players. Several points in the game use elevators or teleporters to move Lester between levels; Chahi had used these instead of stairways, as it was difficult to produce proper animation for these.
Retouching the background in such high resolutions was not so easy. I had to find the equilibrium between details and vectorial design. … Finally, I decided to use subtler shades of light than before with some very crisp detail and razor edge polygons.
Entertainment Weekly wrote that “More like being in a movie than playing a video game, this leisurely paced, noir-tinted adventure demands that you use your wits to find your way out of an eerie parallel universe.”
The game does not include Interplay’s extra music, but it includes the extra level, as well as the added enemies and hazards from the console versions. This version is part of the Another World 15th Anniversary Edition CD-ROM released in 2007, which also includes a development diary, an exclusive postcard autographed by Chahi and a separate soundtrack CD. The CD-ROM version of 15th Anniversary Edition contains strict digital rights management technology – upon installation, the game verifies the user’s serial number through the Internet, allowing only for five installations of the game using any given serial number. Uninstallation does not reset the count, so after five installations, the player must purchase a new copy. This problem does not exist on the digital copy sold by GOG.com.
Another World was developed by Chahi alone over a period of about two years, with help with the soundtrack from Jean-François Freitas. Chahi developed his own game engine, creating all the game’s art and animations in vector form to reduce memory use, with some use of rotoscoping to help plan out character movements. Both narratively and gameplay-wise, he wanted the game to be told with little to no language or user-interface elements. The game was originally developed for the Amiga and Atari ST but has since been widely ported to other contemporary systems, including home and portable consoles and mobile devices. Chahi has since overseen release of various anniversary releases of the game.
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